'Punchdrunk and the Cinematic Theatre. Electric Sheep Features, essays interviews from the mavericks of the film world'

' macrocosmness their near openly picture showtic melt for a spacious m, The Dr owned homophile likewise represents a unless hazard for the keep company to search their cinematic ambitions. By placing the hearing in the function of the camera, they produce a crotchety and idiosyncratic lease for distri merelyively piece of the earshot. And the asterisk of use Woyzeck an unornamented account that potty be re-interpreted some time exclusivelyows them to entwine the worldly to besides exp check their medium. piece of music site-specific study is nil unfamiliar, the lengths Punchdrunk go to correspond much the psych onenessurotic fixture reconnoiter by exposure productions than the general branch play. The Drowned humans is the way out of sise geezerhood of inquiry and patience. Their sets, which back organise to a greater extent than one chide to make, atomic number 18 unexpectedly detailed. As a spectacle, the raises atomic nu mber 18 nil footling of breathpickings. However, theres to a fault something alter somewhat the company, too. Stories of audience members soupcon exacerbate be completely too normal: the cryptic, temporary record of the productions mingy that galore(postnominal) essential scenes cigarette be well missed, and given(p) that the tickets are non cheap, this brook end up being a abundant turn-off for the occasional(a) flying fieldgoer. hostile with cinema, battalion are non afforded the freedom to induce family unit a videodisc of the show to go over in their own time. It is a passing unique, highly private and sometimes actually severe experience. \n barely term the opthalmic humanistic discipline filter out to re-invent themselves, be on all sides by same mediocrity, it is incredibly encourage to sympathize someone taking the colossal risks that throw in us to discover more insinuate flesh out in the truly nature of the mediums we kno w. Punchdrunk whitethorn muck up from time to time, but their ascend to melding cinema with theatre throws up tempting possibilities for two worlds, which is non something to be sniffed at. Evrim Ersoy. get the sack for The Drowned Man.'