Film Methodologies †Point Break (1991) Essay

Many sundry(a) methodologies atomic number 18 vital when examining ch finesseer. Different aspects and methods of pic analysis provide critics and audiences with various overturees to establishing certain genres or films. This essay exit examine the specific methodologies of the fulfill genre, a subscribeation of the nontextual matter cinema and an auteur study. These styles argon recognized in Kathryn Bigelows foretell gibe (1991) which provides strong examples of these techniques. An legal litigate film is commonly recognized by audiences. The motion film portrays strong characteristics and identifiable elements incomparable to the natural action genre.Fights, stunts, cars, foot chases, sex appeal and explosions are fundamental sequences of the action genre whereas character development and well thought-out plot lines are much overlooked. The action genre therefore develops a stereotype that characterizes a film by incorporating much(prenominal) certain element s. Bigelows charge up Break is stereotypically an action film, as it embodies these, and many more aspects essential to the action genre. Many events in Point Break centre on powerful epinephrin pumping action sequences.Fighting takes place frequently and in many diverse environments. These situations crap tension and provide cheer. Fist fighting is non the only troth confronted in Bigelows film. Shootouts involving rifles, pistols and shotguns are believed to be essential classics to a in force(p) action film. The predominant theme of believe robbery incorporates a blend bag of violence, weapons and aggressive language. These events evoke powerful emotions from all characters on-screen, creating stronger action elements. Stunts involving explosions grip audiences.The imagery of a building or car exploding into the air is typically high tawdriness action. The situation before, during and after such events provides compelling entertainment. gamy spectacle stunts and effe cts are commonplace in the action genre such as Point Break. both car and foot pursuits are worth noting in the films action archive. High speed car chases deliver an adrenaline and intensity only action audiences are frequent too. This intensity in Bigelows film heightens during the foot chase between Reeves and Swayze.Finally, sex appeal and the portrayal of the human body in the film, provides a core of entertainment in Point Break. Through its social theme of surfing and its objectification of twain topless men and women, the genre contributes to its already profound stenotype. We must consider these themes in relation to an action genre study to entirely apprehend and examine and analyze the film Point Break however, these are not the only themes and features to consider when establishing methodologies specific to the action genre. There are elements of finesse ho manipulation technique evident in Bigelows Point Break.Although typically an action genre film, it not only con trols emotion, mood and style with themes and events on screen but also through its use of sound recording and visual manipulation. Focusing on visual styles Bigelow echoes a complexity, often introducing elements resembling art house aesthetics. The less conventional filming methods utilized in Point Break reveals an array of immense shots, point of view shots, use of step up persistency and quick cutting. The films themes primarily revolve around the typical action genre story which provides the film with a lot of its power.However, it is worth fetching into account what and how these art cinema traits take affect to an audience in Bigelows film. Long shots, usually of conversations frequently occur throughout Point Break. These shots sustain a level of depth many other films omit in the action genre. For example, during the fourth scene there is a long pan between Reeves and his partner. This could be used as a rendition of the conventional shot-reverse-shot film techniqu e. The camera moves from left ? right slowly however, because the camera is moving on a semi circle dolly track, we are able to view the conversation from an array of different angles.This stops the sine qua non for frequent cutting between shots and shot sizes. Long takes and shot size manipulation are well known examples of art cinema examples in Point Break. Although not common in the action genre, they are uniquely obvious in this film. A framed long shot of Reeves and Swayze cincture stationary as they walked towards camera, however the camera continues to frame them from long roomy shot ? mid shot. This is very interesting as conventional cinema pieces tend to change shot angles and sizes frequently to make their films visually entertaining.handheld point of view (POV) shots balance emotion and intensity with reality. Through the use of first person perspectives, Bigelow is truly able to direct audiences attention and emotions. This method of filmmaking provides a unique ly odd action characteristic. curse robbery is one of the main themes in Bigelows Point Break. The extreme topic of armed robbery and violence creates powerful emotions. Intensified continuity and frame cutting allows Bigelows film to multiply tension and tutelage while its being played out onscreen. Shot sizes change repeatedly giving strength to specific visual keys and detail.Bigelows attention to day-dream extends to even the smallest technical details in Point Break. Thus scenes of heightened intensity can not only be controlled by what characters and events are taking place, but that of the camera movement and sound direction. These are the technical elements of art cinema throughout Point Break. Finally, by examining the auteur study of Point Break we must analyze the films handler and creative owner. In this auteur study we will examine Kathryn Bigelow, her previous works and inspirations in tie to Point Break.The director was born in California in 1952 and is one of t he only pistillate directors to achieve successful Hollywood fame. Her films usually concern the male prevail arena of big budget action cinema. Bigelow has been noted to revise genres akin(predicate) to violence, voyeurism and sexual politics. Point Breaks genre mix of bank robbery and surfing makes it obvious that Bigelow has a desire to consistently approach and push cinematic boundaries. Her marriage to big time director pack Cameron could have provided Bigelow with a stepping stone into the industries top elite.Bigelow first entered the cinema by way of the art world. Her flair for traditional masculine genres in keep an eye on to Point Break is exampled by her previous works such as Blue Steel (1990) and art house film The Loveless (1981). Both films clearly represent Bigelows style of masculinity action flux with art house cinema. Bigelow is essentially an important contemporary auteur. In conclusion, methodologies are vital when examining film. Throughout this essay we have analyzed the action genre, a consideration of art cinema and an auteur study. All these methodologies are recognized in Kathryn Bigelows Point Break (1991).By concluding with these studies we have deduced that different aspects and methods of cinema analysis provide critics and audiences with various approaches when establishing genre and film. References Allon, Y. Patterson, H. Cullen, D. Contemporary northwesterly American Film Directors A Wallflower Critical Guide. n/a. promulgated Wallflower Press n/a. 2003. http//qqq. cercles. com/review/r11/jermyn. html n/a http//movies. yahoo. com/movie/contributor/1800091098/bio A Strange Gaze. http//www. popmatters. com/pm/books/reviews/39697/cinema-of-kathryn-bigelow/ 5. 10. 07