Iago the villain Essay -- essays research papers

Iago the villain William Shakespeare, in his play, Othello the bind of Venice, brings to life one of his most complex villains, Iago. Iago plays the ancient of Othello, who is the general of the Venetian forces. As an ancient, Iago is to be a loyal servant to Othello. However, Iago has grown tart and contempt and uses his supposed loyalty as a wedge to defecate Othellos demise. It has been said of Iago that he is the devil incarnate or that he personifies the devil (pg. 244) this accusation comes to life as you read the play and remark for yourself that in each scene in which Iago speaks one can channel out his deception. It is not clear whether Iago has a master plan or if he is just winged it moment by moment with his last gain in mind. However, what is clear, and what we will point out in the following, is that Iago has the index to use word play to say the adjust thing at the right clipping. He is quick witted and that is what makes him a successful villain. Iagos is a lter with rage and envy because he was passed over for a purview he felt he deserved. Without conscience, Iago vows to take back what he feels is rightfully his by whatever means necessary. As we can see right from the stock of operation 1, Iago begins to weave his web by revealing his true intentions to Roderigo as he justifies his hatred toward Othello. O, sir, content you I follow him to serve my produce upon him. (Pg. 246, lines 41-42). Iago snares Roderigo, a man who is in love with Desdemona, by being the barer of inquisitive news that she has just married Othello the Moor. It appears to Roderigo that Iago has his best interest at inwardness and that he wants to help him to win Desdemona over from Othello. Once Iago gains the trust of Roderigo he convinces him that they must do what is right and tell of Othellos marriage to Desdemona the senator, her father. Iago accompanies Roderigo to the ingress of the Senator, Brabantio, and convinces Roderigo to call up to him to t ell of this news. Once the senator is waked, Iago flees to tell Othello that trouble is on its way. This was the first clue that he was up to no good. Toward the revoke of Act 1, we find Iago and Roderigo speaking again. This time Roderigo is at his ropes end and is contemplating suicide because of his lost love for Desdemona. Iago tries to reassure Roderigo that it is a matter of time that Desdemona will come to her sens... ...sio Ay, if you dare yourself a profit and a right (pg. 280, line 232). In the utmost Act, Act 5, we find Iagos married woman about to uncover his swindling, scarcely before she can, Iago kills her to keep her quiet. In doing so he still hangs onto the hope that his plan is not all lost. kinda he flees to stall for time, however this is an admittance of guilt. Hes gone, but his wifes killed (pg. 286, line 238). When Iagos treachery is finally unmasked the apology he offers almost cheats the audience at first glance, as he stands there almost speechless D emand me nothing. What you know, you know (pg. 287, lines 303-304). In his final words Iago offers no justification and conveys no expression of guilt for the treachery he bestowed upon Othello and the others. His willingness to lie, steal and kill is evidence that he is willing to go to any lengths to achieve his goal. One may ask what motivated Iago to bill these acts it may seem that his motivation was his anger toward Othello for passing him over for the position of lieutenancy. However, to the contrary, true villains need no motivation, to be malicious and evil is their motivation.